Ink Paintings

Rocks - Exercise 6 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 24 x 19 cm. (ca.)
Orientation: 1
Rocks - Exercise 4 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 24 x 19 cm. (ca.)
Orientation: 1
Rocks - Exercise 1 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 25 x 19 cm. (ca.)
Orientation: 1
Rocks - Exercise 2 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 24 x 19 cm. (ca.)
Orientation: 1
Exercise 1 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 9 from The Mustard Seed
Orientation: 1
Rocks - Exercise 3 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 36 x 19 cm. (ca.)
Orientation: 1
Rocks - Exercise 8 from The Mustard Seed
ink on rice paper mounted on typing paper – 2013
image size: 20 x 12 cm. (ca.)
Orientation: 1
Exercise 6 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 8 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 4 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 3 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 7 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
manual007_800
Orientation: 1
Exercise 2 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Exercise 5 from The Mustard Seed
ink on rice paper mounted on typing paper - 2013
image size: 30 x 20 cm. (ca.)
Orientation: 1
Swallow 04
ink on rice paper 2013
19 x 23 cm
Orientation: 1
via Suvereto 02
watercolour on rice paper 2013
23 x 15 cm
Orientation: 1
via Suvereto 04
ink on rice paper 2013
24 x 20 cm
Orientation: 1
via Suvereto 03
ink on rice paper 2013
24 x 20 cm
Orientation: 1
via Suvereto 01
watercolour on rice paper 2013
23 x 15 cm
Orientation: 1
Cherry Tomatoes 01
ink on rice paper 2013
26 x 18 cm
Orientation: 1
Dying Anemone
ink on rice paper 2013
30 x 24 cm
Orientation: 1
Cherry Tomatoes 02
ink on rice paper 2013
26 x 18 cm
Orientation: 1
Swallow 01
ink on rice paper 2013
15 x 22 cm
Orientation: 1
Swallow 03
ink on rice paper 2013
15 x 22 cm
Orientation: 1
Swallow 02
ink on rice paper 2013
22 x 15 cm
Orientation: 1
Paris People 11
ink on paper 2015
25,5 x 18,5 cm. (ca.)
Orientation: 1
Maccarese Beach
ink on paper 2011
30cm x 24 cm
Listening to the Wind
Listening to the Wind
ink on rice paper 2011
24 cm x 36 cm
Pine Crown 2
Pine Crown 2
ink on paper 2011
30cm x 24 cm
Watching
ink on rice paper 2011
27 cm x 35 cm
Little Roses
ink on rice paper 2011
27 cm x 42 cm
Don#039;t Look Now
ink on rice paper 2011
22,5 cm x 30 cm


From ‘The Mustard Seed Garden – Manual of Painting’

From The Book of Trees – Method of painting a tree beginning with the four main branches

To paint landscapes, one should first know how to draw trees. To draw trees, one should be able first to draw the trunk and main branches, then to dot the foliage, and eventually to depict a luxuriant forest.

Lu Ch’ai said:
Neither complexity in itself nor simplicity is enough.
Neither dexterity nor conscientiousness is enough.
Some set great value on method, while others pride themselves on dispensing with method. To be without method is deplorable but to depend entirely on method is worse.
You must learn first to observe the rules faithfully, afterwards, modify them according to your intelligence and capacity. The end of all method is to seem to have no method.

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