{"id":3499,"date":"2015-11-05T08:20:52","date_gmt":"2015-11-05T07:20:52","guid":{"rendered":"http:\/\/www.anthony-lombardi.com\/?p=3499"},"modified":"2019-10-21T11:40:40","modified_gmt":"2019-10-21T09:40:40","slug":"the-painted-figure","status":"publish","type":"post","link":"https:\/\/www.anthony-lombardi.com\/zh\/the-painted-figure\/","title":{"rendered":"The Painted Figure"},"content":{"rendered":"<figure id=\"attachment_3500\" aria-describedby=\"caption-attachment-3500\" style=\"width: 226px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800.jpg\"><img decoding=\"async\" src=\"http:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-226x300.jpg\" alt=\"Elena 02\" width=\"226\" height=\"300\" class=\"size-medium wp-image-3500\" srcset=\"https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-226x300.jpg 226w, https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-600x796.jpg 600w, https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-113x150.jpg 113w, https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-452x600.jpg 452w, https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800-377x500.jpg 377w, https:\/\/www.anthony-lombardi.com\/wp-content\/uploads\/2015\/11\/Elena02_800.jpg 603w\" sizes=\"(max-width: 226px) 100vw, 226px\" \/><\/a><figcaption id=\"caption-attachment-3500\" class=\"wp-caption-text\">Elena 02<\/figcaption><\/figure>\n<p>If I deduce that the subject of what I paint lies within my ocular vision, then it becomes very easy to define what a \u2018painted figure\u2019 is. Any recognizable sign of the human body in a painting which can recreate the coherent memory of a person in my imagination should be enough to classify that painting as figurative. I purposely put the adjective \u2018coherent\u2019 in front of the word \u2018memory\u2019 and not in front of the word \u2018person\u2019. It is not important that the body of the painted person necessarily be coherent; in fact, after cubism the fragmented figure is a dominant theme in XXth century painting.<\/p>\n<p>In a painting, the \u2018coherent memory of a person\u2019 means that the viewer\u2019s imagination can \u2018complete\u2019 the information that the painting offers in terms of a recognizable figure. In the same way, the artist, by use of his or her imagination, eventually \u2018completes\u2019 in the painting what the ocular vision of the model provides for. Therefore when considering a painting, the imagination plays a dual role; the imagination of the artist and the imagination of the viewer. This is the case in all painting.<\/p>\n<p>However, I am finding that my imagination plays an extremely strong role in the production of a painting with the human form. Maybe it depends on the fact that the figure is charged with emotion and memories that affect my imagination and consequently that of the viewer. In any case, this aspect of painting is new to me since I have started working with the figure again.[whohit]-Painted-Figure_EN-[\/whohit]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If I deduce that the subject of what I paint lies within my ocular vision, then it becomes very easy to define what a \u2018painted figure\u2019 is. Any recognizable sign of the human body in a painting which can recreate the coherent memory of a person in my imagination should be enough to classify that &hellip; <\/p>","protected":false},"author":1,"featured_media":3500,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-3499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Painted Figure - Anthony Lombardi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.anthony-lombardi.com\/zh\/the-painted-figure\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Painted Figure - Anthony Lombardi\" \/>\n<meta property=\"og:description\" content=\"If I deduce that the subject of what I paint lies within my ocular vision, then it becomes very easy to define what a \u2018painted figure\u2019 is. 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