{"id":3665,"date":"2016-08-28T08:10:05","date_gmt":"2016-08-28T06:10:05","guid":{"rendered":"http:\/\/www.anthony-lombardi.com\/?p=3665"},"modified":"2016-08-28T08:10:05","modified_gmt":"2016-08-28T06:10:05","slug":"la-storia-in-un-dipinto","status":"publish","type":"post","link":"https:\/\/www.anthony-lombardi.com\/zh\/la-storia-in-un-dipinto\/","title":{"rendered":"La storia in un dipinto"},"content":{"rendered":"

\"Cain<\/a>
Cain and Abel<\/figcaption><\/figure>
\nUna linea sottile \u00e8 stata tracciata tra l\u2019illustrazione e la pittura ‘figurativa’. Nel corso della storia, i pittori si sono occupati, attraverso il soggetto, di una \u2018storia\u2019. Essi personalizzavano i temi ben noti o tentavano di fare ‘cronaca’ (dal greco khronos “tempo”) di un evento o di un racconto, a prescindere dalla sua realt\u00e0. La capacit\u00e0 dell’artista di trascendere il soggetto determina in molti casi l\u2019impatto che il dipinto ha nella Storia dell\u2019 Arte. La rappresentazione di San Giovanni Battista di Caravaggio \u00e8 un buon esempio di questo. Guardando a questo quadro, non ‘leggo’ automaticamente il soggetto come il protagonista delle ben note storie bibliche.<\/p>\n

Wikipedia riporta che l’illustrazione \u00e8 una decorazione, interpretazione o spiegazione visiva di un testo, concetto o processo, progettata per l’integrazione in un mezzo pubblicato. Secondo questa definizione \u00e8 difficile distinguere la differenza tra una stampa artistica di Rembrandt e le opere stampate di Hogarth, Daumier o Toulouse-Lautrec. Questa \u2018linea\u2019 sfocata diventa pi\u00f9 chiara nel ventesimo secolo, in particolare durante il periodo della cosiddetta \u2018Morte della Pittura’ in cui praticamente ogni rappresentazione della figura umana \u00e8 stata considerata ‘fuori-moda’ perch\u00e9 abbassava la forma d’arte ad una semplice illustrazione.<\/p>\n

Artisti che continuano a lavorare con la figura oggi sono consapevoli del bagaglio storico che \u00e8 collegato a questo genere. A mio parere, i migliori contributi oggi al genere vengono quando l’artista \u00e8 in grado di fondere la qualit\u00e0 astratta della natura e la figura con qualunque racconto che sta cercando di rappresentare nella composizione.
\nIn questo modo, gli aspetti formali della pittura trascendono la storia e diventano l’elemento principale.<\/p>","protected":false},"excerpt":{"rendered":"

Una linea sottile \u00e8 stata tracciata tra l\u2019illustrazione e la pittura ‘figurativa’. Nel corso della storia, i pittori si sono occupati, attraverso il soggetto, di una \u2018storia\u2019. Essi personalizzavano i temi ben noti o tentavano di fare ‘cronaca’ (dal greco khronos “tempo”) di un evento o di un racconto, a prescindere dalla sua realt\u00e0. La … <\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[12],"tags":[],"class_list":["post-3665","post","type-post","status-publish","format-standard","hentry","category-blog-it"],"yoast_head":"\nLa storia in un dipinto - Anthony Lombardi<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.anthony-lombardi.com\/zh\/la-storia-in-un-dipinto\/\" \/>\n<meta property=\"og:locale\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La storia in un dipinto - Anthony Lombardi\" \/>\n<meta property=\"og:description\" content=\"Una linea sottile \u00e8 stata tracciata tra l\u2019illustrazione e la pittura ‘figurativa’. 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