Showing 87 Result(s)
Ponte Vittorio Emanuele II Rome

Think in Painting (part 2)

My body is together in the world. It is both visible and mobile. What is outside is not cut off but prolonged by itself in a physical way. Both sensed and sensing, my body is undivided. Interiority is equal to the material world; not coming first or resulting from it. The eye and the mind …

Flaminia Quarter Rome

Think in Painting (part 1)

This writing is an attempt to analyse the essay by Maurice Merleau-Ponty titled ‘Eye and Mind’ and direct some of the ideas towards an understanding of my own art. My first consideration deals with the current scientific mindset which tends to objectify and reduce the experience of the world to a process of collection and …

Ponte Garibaldi 2 - Rome

Perils of Painting

On Wednesday, it rained all day. I was undecided to go painting on Thursday morning but I prepared everything in the evening just in case. The forecast said it was going to rain in the afternoon on Thursday but not the morning. So I woke up early and packed everything into the car. After 5 …

Lungotevere Gianicolense - Rome

Painting and Solitude II

refuge /ˈrɛfjuːdʒ/n shelter or protection, as from the weather or danger any place, person, action, or thing that offers or appears to offer protection, help, or relief Etymology: 14th Century: via Old French from Latin refugium, from refugere to flee away, from re- + fugere to escape I think of painting as a refuge but …

Ponte Palatino - Rome

Sunrise and Sunset

Sunday afternoon. I prepare everything to paint in the centre. It’s a beautiful sunny day although the temperature is chilly. I know where I want to go and immediately find parking. There are a lot of tourists wandering around but I am able to carry my equipment down the steps to the embankment of the …

Painting and Solitude I

Painting outdoors requires special considerations. One of these considerations is the individual working space. When artists work in a studio, the space is defined by a physical room. This means that the space can be altered to taste and utility according to the individual’s work habits. The choice of a studio is usually a primary …

Largo Argentina Rome

Big Paintings En Plein Air

Everything becomes a little more difficult as the dimension increases. What I mean is: I am painting outside with bigger canvases and I am aware of the exponentially growing difficulties. Let me just make a short list of things I have discovered. Firstly, you use a lot of paint and turpentine. Some colours are costly …

The Rose Bridge

The Rose Bridge

Waking up before sunrise lets you see the city in a totally different way. Apart from the obvious contrast between activities done at night and those done during the day, there is something extremely magical in the dark morning that makes you feel that the world is under water. In Italian, you would say ‘ovattato’ …

Ponte Vittorio Emanuele II - Roma

Ponte Vittorio Emanuele II

I’ve recently finished a big project involving a video, a graphic novel, and an installation. Some parts are still to be actualized. Along with all of this business, the weather has been somewhat miserable: rain, grey skies and cold temperatures. So painting outside has been put on a back burner. But Sunday, the sun came …

Baptism

Figure Painting

According to Wikipedia, “A figure painting is a work of fine art in any of the painting media with the primary subject being the human figure, whether clothed or nude. Figure painting may also refer to the activity of creating such a work. The human figure has been one of the constant subjects of art …